Tag Archives: A/D Converter

New Gear New News


I’d like to share that Zinc Media recently acquired a live recording console/mixer. The Allen & Heath Qu-16. This unit is capable of mixing 22 channels of audio with high quality onboard processors. As first of it’s kind, it can record up to 18 separate channels of audio direct to a formatted USB hard drive. We also have the option of running it with ProTools HD.


I’m also pleased to announce that the Film that went to festival earlier this month was well received. “The Wisdom To Know The Difference” sold out it’s first showing at the Manhattan Film Festival and is scheduled for a second showing 7/3/14. This film will also be at the San Antonio Film Festival on August 3rd at CityBase Cinema.


On the music side, Bekah Kelso & The Fellas released a live video from a recent performance at 502Bar. The show was 75% unreleased material we are working up and getting ready for the studio later this summer. This one gem is from Bekah’s second release, “Departures”. Enjoy “Say Something”


Thanks for listening!

Damian

www.zincmediapro.com

Universal Audio 4-710D Review

It’s in my rack now and will not be going anywhere.

The 4-710D blends tube and solid state signals for”tone-blending” 4 channel microphone preamps with 1176-style compression. This unit also has 8 channels of Analog to Digital(A/D) conversion. 4 Channels of Mic Pres. 4 Line Ins. On every mic channel there are insert points that expand routing capabilities. The Inserts can be engaged from the front panel. Visit Universal Audio for specs and more info.

My go to mic pre, lately, has ben the UA 4110. So I am familiar with Universal Audio’s pedigree. My first concern with an all-in-one box was the A/D converters. My current set up is a Black Lion Audio Signature Mod DIGI 002. I recorded bass and vocals into the 4-710 pre and went out ADAT into the BLA 002 and Line out into the BLA converters. Well, there are no bad guys here. The 4-710D’s sound was “punchy”, “more tangible”, “upfront” while the BLA 002 seemed more open on the top end. I could see both getting used for different tasks. My concerns were immediately quelled. I compared the unit with GENEX and Apogee Rosetta 200 converters. The 4-710D sat nicely between the 2 with “punch” and “clarity”. This makes a great front end for any studio, project or professional.

I also ran a couple of recorded tracks through the 4-710D. I normally run track outs of Pro Tools(9) into hardware for that “special” something. In this regard, the 4-710D offers more still. Just running the track through the Tube side gave the track some depth. Being able to blend the Solid State signal in, I was able to “sit” that track in the mix almost immediately.Tip: a little tube saturation goes a long way when you’re stacking tracks. You should of seen the smile on my face when I realized I now had 4 1176-style compressors in my arsenal for mix-down. Listen To Audio Samples

This is an investment that will serve me well into retirement.

It’s not Neve or API, but nothing else is. It is 100% Universal Audio

Thanks for listening