Tag Archives: mastering

New Gear New News


I’d like to share that Zinc Media recently acquired a live recording console/mixer. The Allen & Heath Qu-16. This unit is capable of mixing 22 channels of audio with high quality onboard processors. As first of it’s kind, it can record up to 18 separate channels of audio direct to a formatted USB hard drive. We also have the option of running it with ProTools HD.


I’m also pleased to announce that the Film that went to festival earlier this month was well received. “The Wisdom To Know The Difference” sold out it’s first showing at the Manhattan Film Festival and is scheduled for a second showing 7/3/14. This film will also be at the San Antonio Film Festival on August 3rd at CityBase Cinema.


On the music side, Bekah Kelso & The Fellas released a live video from a recent performance at 502Bar. The show was 75% unreleased material we are working up and getting ready for the studio later this summer. This one gem is from Bekah’s second release, “Departures”. Enjoy “Say Something”


Thanks for listening!

Damian

www.zincmediapro.com

Pro Tools 10 with Complete Toolkit 2

Pro Tools 9.0.3 to Pro Tools 10, MacPro 2.8 GHz Quad-Core with 10GB RAM
Sure I was upset at the announcement of Pro Tools 10. It hadn’t even been a year since the release of PT9. I bit the bullet and upgraded anyway. I can understand some concerns such as compatibility and the nuances that come with a studio’s DAW and workflow until recently were mostly negative. I fearlessly, without backing up, upgraded. To my surprise the upgrade was painless. It was easy like a CS update. All my 3rd party plug-ins had no issues(Waves, Serato, Sony Oxford, Slate Digital VCC, Trigger, Tonelux). All my settings from PT9 were intact.
My previous sessions opened correctly and sounded good. I was pleased to find the Input Monitor button made available. That was only on HD systems before. Latency has been vastly improved. I was using 256 samples H/W Buffer and could not hear any. Once I tracked, I began to edit. I felt right at home with the gain adjustment from the “clip”(previously “region”). Being able to set”handles” for AudioSuite processing is also a time saver. You can now process and crossfade with out having to see that annoying warning, buh-bye. I used to process more area than I needed. Then I would Trim the region/clip back to the intended section and cross fade. Every second counts.

System 5 EQ is a great channel strip.  I’ll usually boost a shelf gradually from 4k up to see how the highs do. The sound was transparent and smooth. Dynamics section is usable but not what I would call “vibey”.  The gate gives Metric Halo’s Channel Strip a run for it’s money.

Behind the scenes Pro Tools just feels faster and leaner. Delay Compensation has been extended by 4X(16,383 samples@ 48k), making CPU intensive plug-ins like de-noising, easier to set up and not worry about hand aligning regions, oops, I mean clips.

Most non- Pro Tool users can probably say,”oh, my DAW has had that for awhile now.” like the Channel Strip and the Clip gain feature. That’s ok. I’ve been using Pro Tools for a long time and as a professional still see it as one of the most reliable platforms for digital recording. But by all means, don’t let me stop you. We will use the best equipment  we have at hand at the time.

Avid just brought PT9 users closer to HD.

Highlights:

Possible Audio Tracks(48k)- 768
Possible Aux Inputs- 512
In-application web browsers for AVID account, support et al.
New import and export features
New Control surface/worksurface features
Storage and dick performance enhanced
Avid Interoperability- AAF, OMF
Change session settings in the Session Set Up window

Want More Specs